I first reviewed Marilyn Lerner’s art in 1989 and have been following her career ever since. Over the past three decades, she has expanded her geometric vocabulary, while staying true to it. That vocabulary, which draws inspiration from Hilma af Klint (whose work was first shown in New York at PS1 in 1989), game boards, tantric art, and Indonesian music, as well as the saturated colors found in traditional Indonesian dance costumes, has slowly but continuously changed.

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