Michael Craig-Martin on How Painter Al Held Changed His Career: ‘He Was a Maverick’


I was in London during the summer of 1963, the year before starting my M.F.A. course in Fine Art at Yale. Culturally everything American was admired, envied, desired, nowhere more so than in Britain. Music, cloths, movies, food, lifestyle—and art. The youthful President Kennedy was seen to embody American energy, innovation, optimism and promise. No one imagined he would be assassinated a few months later and America would never be the same again.

The new American Embassy building designed by the great Finnish-American architect Eero Saarinen had opened a few years earlier in 1960. Intended to project both an image of American power—the immense golden eagle over the façade—and contemporary American life—modern, informal, welcoming. Anyone could just walk into the building from the street. It housed a library and an art gallery that were open to the public. It was the very opposite of the barricaded fortress it became in later years or the moated bunker it is today.

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@peepso_user_22(Jay Zerbe)
i especially like this quote from the article. "What interested me most about Held’s work was that he seemed to seek and achieve a kind of space no one else did. His work was always abstract but his paintings create a concrete and precise illusionistic space and presence that I recognize from sculpture but rarely see in painting."
@peepso_user_22(Jay Zerbe)
Al Held Sea of Tranquility II
Acrylic on canvas
72 x 120 inches
1 year ago