Imagine a woman in the long skirts and high collar of the early 20th century standing in front of the painting she created. It is a massive piece—about 10 feet tall by 8 feet wide—and it is not a landscape, a portrait, a still life, nor a scene from myth or history. Dominating the composition is a bold yellow form reminiscent of a plant or sea creature, glowing amid colorful, biomorphic shapes and vigorous lines. This is just one of 10 such works that she has created almost entirely alone—sometimes walking on her work as she lays down the paint—and one of 193 radically abstract paintings that she has made in a few short years, between 1906 and 1915.

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