Ying Li, “Telluride, Valley of the Hanging Water #3” (2019), oil on linen, 24 x 24 inches (all images courtesy Pamela Salisbury Gallery, Hudson, New York)
I first saw Ying Li’s work in a two-artist exhibition in which she shared the gallery space with my wife, Eve Aschheim (Ying Li/Eve Aschheim: Recent Paintings at the New York Studio School, June 6 – July 28, 2013). Like others who have written about her work, I was immediately struck by her sybaritic application of thick paint to modestly sized canvases.
Li paints on site, which she indicates in her titles, such as “Telluride, Valley of the Hanging Water #3” (2019, oil on linen, 24 x 24 inches) and “Rosendale Trestle” (2019, oil on linen, 24 x 30 inches). When she makes large paintings in her studio, she evokes the city as subject matter, as in “Writing the City #3” (2020, oil on linen, 74 x 58 inches). These three paintings, along with 11 others, will be featured in her upcoming exhibition, Ying Li: Alterity, at Pamela Salisbury Gallery, Hudson, New York (June 27–July 26, 2020).