Intricate Visions

UK-baed JR CHUO is is a paper cut and spray paint artist whose work explores the notion of façades in society that conceal harsh realities. His work is inspired by the tragic beauty and striking colours found in dying coral. CHUO cuts all of his designs by hand – thousands of individual shapes work in harmony to form large, seamless designs.

A: What first drew you to working with paper cut and spray paint techniques?
JRC: I discovered the art of paper cutting during a trip to Japan in 2015 and was immediately struck by the intricacy of the medium and the wide range of subject matter that artists were able to capture in one single sheet of paper.

I began experimenting with paper cutting straight after the trip and became fascinated by the versatility of the medium. In terms of spray painting, I spent a lot of time in Shoreditch, London as a child and grew up admiring street artists and creating my own stencils and spray paintings. Unlike stencils used for spray painting, my paper cutting work places emphasis on the paper itself and I often display my original paper cut artworks in fluorescent acrylic.

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Chimerical Creatures Combine Feathers and Fur in Isabel Reitemeyer’s Uncanny Collages

Image © Isabel Reitemeyer

Berlin-based artist Isabel Reitemeyer is known for making uncanny collages that splice images of animals and bodies into humorously enigmatic compositions. In her recent series, songbirds with guinea pig heads perch on twigs, horses with enormous bunny ears stand in fields, and a retriever looks out at us from the body of a chicken. The assemblages, which are often small in scale and made from found photographs and cutouts, are deftly aligned so that the outlines of the animals fit together seamlessly.

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Nature and Geometry Blend in Beguiling Symmetry in Oliver Chalk’s Voluminous Timber Vessels

Image © Oliver chalk

Only two years ago, Canterbury, U.K.-based artist Oliver Chalk began creating bold, geometric vessels out of wood. Having worked previously with fabric to design and produce large-scale installations for events, his interest in experimentation with new materials and techniques led to working with found timber. Carving detailed forms from the hulks of trees found in the local countryside of Kent, the artist considers the practice of turning and whittling sculptures to be a means of communication and an expression of self through symmetrical shapes and striations. The process of repeating a mark over and over often produces a state of mindfulness. “Imparting my mark through gouging hundreds, if not thousands, of seemingly arbitrary fissures by hand is a profoundly personal journey,” he tells Colossal.

The sustainability and local sourcing of the materials is an important part of Chalk’s approach. All of the wood he gathers comes from native species that he collects from local arborists or forages close to his workshop, finding cuts from trees that have been felled by storms or are partly decaying. The shapes he chips into each piece reflect a merging of nature and the man-made.

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Staged Compositions

Andreas Mühe is one of Germany’s best-known artists, recognised for his explorations of sociological, historical and political themes. He creates larger narratives within elaborately constructed, dramatically lit settings – an approach mirrored by the likes of Rodney Graham and Thomas Demand. Stories of Conflict is Mühe’s latest solo exhibition, taking place at the Städel Museum, Frankfurt am Main.

A: Where did your journey into photography begin, and how, if at all, has your view of the medium changed?
AM: I had wanted to become a photographer ever since I was a kid. As soon as I was old enough, I did my first apprenticeship in photography. Even since then the medium has undergone many changes, that’s for sure. Maybe one of the most significant ways it has been altered is the increased quantity and omnipresence of images. I’m somewhat wary of this, and I would rather focus on making fewer meaningful pictures.

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Giacomo Jaquerio and Castello della Manta: new attributions

Giacomo Jaquerio, Prophet (detail), Carmagnola, buttigliera alta, Sant’Antonio di Ranverso, presbytery

In 1936, Don Michele Marchetti, rector of the church of Sant’Agostino di Carmagnola in the province of Turin, published a small volume dedicated to the history of the building. The book describes some interesting frescoes on the walls and columns of the church (formerly the seat of the Eremitani), for the most part rediscovered by Marchetti himself in the years before. At the same time, photographers Marco Sansoni, commissioned by the Frick Art Reference Library in New York, and Turin-based Guido Cometto extensively documented the works after their discovery. Despite the early attention paid to these frescoes, which can be dated back to the 15th century, they remained largely excluded from the historical-artistic debate on Piedmontese art in the years after.

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Tiny Human Activities Erupt into Vast Celestial Nightscapes in New Paintings by Oliver Jeffers

Image © Oliver Jeffers

Whether working in acrylic on panel or illustrating a scene for one of his children’s books, artist Oliver Jeffers is fascinated by positioning. He returns to questions about perspective and finding a place in the world amidst chaotic politics and an overwhelmingly vast universe.

In The Night in Bloom, a series of ten works soon to be on view at Praise Shadows Art Gallery in Brookline, Massachusetts, Jeffers imagines explosive astronomical scenes and impeccably aligned constellations. One work shrouds an abandoned picnic in deep blues and purples before erupting into a bright nebula, cradling stars between the soft glow of city skylines. Another piece, which the artist will replicate at a massive scale on a facade at Boston’s Isabella Stewart Gardner Museum, depicts a figure at home underneath a colorful expanse of galaxies and celestial bodies.

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Step Inside the Brooklyn Waterfront Studio of Martha Friedman as She Stretches Herself to Cast 75 Giant Rubber Bands

Martha Friedman, Floating Thought #1, from “A Natural Thickening of Thought” (2022). Photo: Glen Cheriton, courtesy of the artist and Jessica Silverman, San Francisco. © Martha Friedman

Martha Friedman is a maestro of rubber, casting the bouncy, stretchy material into sheets, ropes, and tubes that she incorporates into artworks that range from sculptures to choreographed performances—and, most recently, the painterly light boxes on view in her current solo shows at San Francisco’s Jessica Silverman Gallery and the Princeton University Art Museum.

The series “A Natural Thickening of Thought” consists of 10 works, each featuring colorful, vaguely organic shapes made using dyed rubber. They were inspired by drawings of neurons by Santiago Ramón y Cajal, the Spanish scientist who won the 1906 Nobel Prize for his research on the nervous system, which included detailed, groundbreaking drawings of what he saw beneath the microscope.

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Hyperreal Photography

The concept of “hyperreality” was proposed by French theorist Jean Baudrillard during the 1980s to describe a society in which citizens are unable to distinguish between reality and simulation. In today’s world, according to Baudrillard, reality has been substituted with “false pictures” – to the point where it is impossible to tell the difference between what is real and artificial. Worldwide, the average person spends a total of 6 hours and 58 minutes using the internet each day. We are confronted with AI, photo manipulation and algorithmically-generated news feeds every time we open our smartphones. Here are five photographers engaging with this idea – presenting intriguing visions of landscapes and cities through lens-based trickery, editing and mesmerizing colour palettes.

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What Exactly Is a ‘Museum of the Future’?

Inside the “OSS Hope” display at the Museum of the Future, Dubai. © TG MEDIA

In one of the galleries in Dubai’s recently opened Museum of Future, near the beginning of its futuristic displays, flickers in lavender-green neon the ancient Chinese proverb, written in three languages, Arabic, English, and Mandarin: “The ancestors plant the trees / the descendants enjoy the shade.”

The writing on the wall is literally and figuratively clear. Given the multiple pressing challenges our planet faces today, it becomes all the more paramount for the present generation to acknowledge and address these mounting crises to safeguard the planet for future ones. It’s a task that no doubt must be a collective, concerted undertaking.

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Billions of Fireflies Light Up an Indian Wildlife Reserve in Rare Footage Captured by Sriram Murali

In many parts of the world, a warm summer evening sets the stage for a familiar sight: the lightning bug. Through a phenomenon called bioluminescence, these winged beetles generate chemical reactions in a part of their abdomen known as the lantern to produce flickers of light. Of more than 2,000 species found throughout the world, only a handful coordinate their flashes into patterns and are known as synchronous fireflies. Filmmaker Sriram Murali captured a rare gathering of billions of these insects at the Anamalai Tiger Reserve in western Tamil Nadu, India.

Through a combination of moving image and time-lapse photography, Murali recorded countless specimens amidst the trees as they produce glowing pulses, which relay across the forest in expansive, wave-like signals. The color, brightness, and length of the light emitted is specific to each species, and as a part of the insects’ mating display, it helps males and females to recognize one another. Darkness is a necessary ingredient in the success of this ritual.

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