Sun-Kissed Memories of Ipanema Beach

From Sandra Cattaneo Adorno, Águas de Ouro, Radius Books

As someone who was raised in the Caribbean, I seldom think about the beach. Perhaps because I’m surrounded by concrete at every corner of New York City, I’d rather take in what’s in front of me than daydream about my past. But if I daydream, I’m confronted by the gap between this image that reminds me of home and narrow outside perceptions of what that place is — my own life experiences are at odds with the idealized images propagated by the tourism industry. The perfectly retouched photos of shorelines I often recognize, which I encounter digitally, aren’t what I long for, what I recall in the splashes of my memory. I can’t feel the heat from these photographs.

Read the original article here…

Paul Nicklen Photographs the Colorado River as It Etches Itself Like Veiny Branches into the Landscape

“Arterial Poetry”

It is a common understanding in writing studies that to recount a disastrous event in literal and graphic detail may damper the purpose of the story by pushing the reader away. In order to elicit experiential feelings, writers often learn to employ tools and strategies such as metaphor, poeticism, and structure. This could also be understood as an exercise in empathy because rather than force the reader to feel by summarizing the experience for them, the writer creates an environment where one can reach for closeness and camaraderie in their own ways.

Read the original article here…

Explosive Photos by Ray Collins Capture the Ocean’s Mercurial Nature As It Erupts in Extravagant Bursts

“Matter”

Ever fickle, the ocean and all its excitable energy provide endless fodder for Ray Collins (previously). The Australian photographer, who is based in Wollongong, is known for his dramatic images that capture the diversity of textures and forms that emerge from the water. Waves undulate into scaly walls, fine mists erupt in the air, and surges turn in on themselves, creating eerie, patterned tunnels. Each image emphasizes the capricious nature of the water, which Collins shares as the impetus for his practice. “I’m fortunate that my subject, the ocean, is never the same.

Read the original article here…

Double-Exposure Photos by Christoffer Relander Superimpose Everyday Scenes onto Human Silhouettes

Image © Christoffer Relande

Spontaneity, honesty, and a desire for experimentation are at the heart of an ongoing project by  Christoffer Relander, whose dreamy compositions masterfully blend portraiture and nature. 365 Days of Double Exposure is Relander’s practice of documenting life around him, whether that be the mundane scenes inside his home or the landscapes and people he encounters. Like other daily projects in a similar vein, the goal is to create no matter the circumstances, and Relander carries a pocket-sized Ricoh GRIII with him to capture impromptu moments throughout the day.

Read the original article here…

Ultra High-Speed Photography Captures Hidden Human Figures in Moving Water

Norwegian photographer Ronny Tertnes uses high-speed photography to capture fleeting images. His ongoing series H2O Sculptures depicts the shapes of water droplets as they fall and splash into a puddle. Enhanced by colorful effects, these images appear to take on anthropomorphic forms, similar to dancers.

Tertnes uses a water drop kit—which contains the necessary materials for water drop photography—to create these spectacular images. Additionally, he mixes additives to the water so that it will pop more in the images. Then, all that’s left to do is to let the water drop and use a high-speed camera to capture numerous moments, hoping that one or more will stand out.

Read the original article here…

Florence’s Alinari Archive Delves Deep Into the History of Underknown Women Photographers

Wanda Wulz, “Io+gatto”, 1932.ARCHIVI ALINARI-COLLEZIONE ZANNIER, FIRENZE

Nearly 200 years ago, two new methods of image-making debuted within weeks of each other in 1839: the daguerreotype, direct-positive photographs where images were burned directly onto silver-plated copper plate, in France and the calotype, the original photographic negative in the form of silver chloride–sensitized paper, in England. Together, their inventions—by men who held the patents and usually also restricted access to the equipment necessary to make them—hailed the inception of photography.

Nonetheless, women have been professional photographers—and among the medium’s fiercest innovators—since its invention, though, their names, contributions, and work tend to be lesser known, like Bertha Beckman, famous for being the first-ever professional woman photographer. Recent efforts have been made to correct photography’s male-dominated canon, including the 2021 survey exhibitions, “The New Woman Behind the Camera,” which debuted at the Metropolitan Museum of Art in New York before traveling to the National Gallery of Art in Washington, D.C. That same year, the Museum of Modern Art in New York received a major gift of 100 works by women photographers aimed at “unfixing the canon.”

Read the original article here…

Colour, Light and the Street

“A window covered with raindrops interests me more than a photograph of a famous person.” American photographer Saul Leiter (1923–2013) is remembered for distinctive colour images of New York – suffusing the city’s streets, architecture and inhabitants with a rich, painterly palette. Leiter is amongst Francesco Gioia’s (b. 1991) biggest inspirations; shown below is the self-taught street photographer’s own, contemporary interpretation of a rain-drenched window. As water droplets smear blues and yellows across the glass, the composition appears to have been plucked right from Leiter’s imagination.

Read the original article here…

Jewels Encrust Ornamental Insects in Sasha Vinogradova’s Digital Illustrations

Image © Sasha Vinogradova

Los Angeles-based artist Sasha Vinogradova merges her fascination with nature and ornate design in a series of jewel-coated specimens. Sculptural in form to evoke a brooch or other piece of wearable art, the digitally illustrated insects encase gems and vibrant, iridescent body parts within a metallic structure. Symmetrical motifs adorn the wings and shells, adding an extra layer of ornamentation to the otherwise natural subject matter.

Read the original article here…

In ‘Extinct and Endangered,’ Photographer Levon Biss Magnifies the Potential Loss of Insects Around the Globe

Madeira brimstone. Image © Levon Biss, courtesy of the American Museum of Natural History

Despite existing on separate continents thousands of miles apart, the Madeira brimstone and giant Patagonian bumblebee are experiencing similar hardships. The former, which inhabits the islands it inherits its name from, is dealing with an invasive species decimating the trees its caterpillars require pre-metamorphosis, while the latter has been struggling to survive in its native Chile after farmers introduced domesticated European bees to aid in crop pollination. Both species are in danger and are part of an ongoing exhibition at the American Museum of Natural History conveying what’s at stake if their species are lost entirely.

Extinct and Endangered is comprised of massive, macro shots by Levon Biss, a British photographer who’s amassed a stunningly diverse collection of images with a variety of natural subject matter from dried seeds to iridescent insects. Biss often collaborates with institutions like the Royal Botanic Garden Edinburgh and the Oxford Museum of Natural History, gaining access to their archives and selecting specimens.

Read the original article here…

Minimal Portraits by Luke Stephenson Frame the Elegant Plumage of Show Birds

Red Legged Honeycreeper (2016)

For the better part of a decade, U.K.-born, Stockholm-based photographer Luke Stephenson has been fascinated by show birds, their impeccably groomed feathers, and undeniably unique personalities. Whether centering on a white-eyed Zosterop or confrontational Spereo Starling, his portraits are minimal with monochromatic backdrops that accentuate the distinct colors and patterns of each plume.

The ongoing series, titled An Incomplete Dictionary of Show Birds, originated with Stephenson wanting to photograph budgies but was intrigued by other species when he met some of his future subjects and their owners. He then designed a portable, avian-sized studio with lighting and a slot for swapping backdrops. Most of his subjects gravitate toward the wooden perch, he says, where they land and show off their distinct personalities.

Read the original article here…