“The Flood” Images © Lee Madgwick
A sense of unease surrounds the buildings in Lee Madgwick’s paintings, their sides crumbling or coated in thick vegetation as they stand alone in fields or swamps. The neglected structures appear lifted from cities and towns and dropped directly into rural landscapes, where nature slowly envelops their brick facades or sprouts trees from their eaves. “I’m forever drawn to places of abandonment and isolation,” Madgwick tells Colossal. “I’m compelled to explore these enigmatic wonders. There’s a poignancy and an unwavering silence and fragility that hangs in the air.”
Containing only remnants of human life, the scenes prompt questions about the buildings’ origins and caretakers. Some pieces, like “The Veil,” depict a home long-deserted by inhabitants as thick vines cover the lower windows, while others like “Fen View” suggest that people remain, as a small window is neatly trimmed out of an overgrown hedge.