John Pomara, “Pool Party 39” (2021), oil enamel, polyurethane and spray paint on aluminum panel, 15 x 11 1/2 inches (photo Alyce Santoro/Hyperallergic)
MARFA, Texas — Vision Pool is an immersive experience. While each fresh abstraction by Raychael Stine, Liz Trosper, and John Pomara is a luminous, dizzying, multidimensional world unto itself, the energy field the works generate in concert nearly causes the gallery to hover.
Though each artist’s set of pieces is distinct in media and style — oil on canvas, inkjet monoprints with resin and acrylic, and an alchemical mix of substances on corrugated aluminum panel, respectively — the works have in common elements that test perception. Solid or liquid, flat or dimensional, luminous or opaque, real or imagined?
To call such effects optical illusions or trompe l’oeil runs the risk of oversimplification, but the magic at work here is not entirely unrelated. What term can aptly describe a more sophisticated form of space-time alteration? Perhaps the best word is simply “art” — all three of these practitioners have mastered the craft of vision-shifting, of transporting viewers into the vibrant, fluid spaces of their imaginings.