Rich Linework in Black Ink Composes Meditative Mounds and Ridges in Lee Hyun-Joung’s Paintings
“Chemin Gris,” 100 x 140 x 3.5 centimeters
Artist Lee Hyun-Joung likens her meditative renderings to pathways that prompt the eye to travel along each line. Working with Korean ink and traditional pigments on handmade Hanji paper, Lee’s practice is as contemplative as the resulting pieces, which portray heaving mounds and supple ridges reminiscent of mountains and other land formations. “My universe is poetic,” she tells Colossal, “like an inner journey. I invite you to take a walk, to follow me in these aerial views. They were born from the breath of my Korean childhood, from my eternal taste for painting, my search for life.”
Composed with black and shades of green or blue, the abstracted works are rhythmic and methodical and evoke the texture of thread stitched in precise rows. A central ripple stretching from one end of the paper to the other bisects many of the pieces, with the sinuous markings connecting the two parts.